Effects pedals for the guitar have been around since the 1960s, when electric guitar based music and rock 'n' roll were on the rise. Roger Mayer, an engineer, is believed to have created the first guitar effects pedals, which was known as as "fuzz box" (today known as distortion or overdrive) and the "wah-wah" pedal. Mayer created pedals that were used by the likes of legendary rockers Jeff Beck, Jimi Hendrix, and Jimmy Page (for whom Mayer, his friend, reportedly created the first pedal in 1963 or 1964). Today, numerous effects are widely used by electric guitar players.
Effects pedals are used to give the guitarist more tonal colors or, that is, an expansion of timbre on his instrument's palette. It's possible to use an amplifier's settings to create these different tonal colors, too, but the amplifier is limited to what effects it can give, plus its settings would have to be changed only between songs, whereas guitar players frequently want to change tonality and color in the midst of playing a single song, and often many times over.
Not unlike the electric guitar and amplifier itself, effects pedals contribute to guitarists having a broad range of tonal expression. Today, even classical and acoustic guitarists use these effects, though they tend to avoid the distortion, overdrive, and wah pedals used by electric guitarists.
After the initial popularity of guitar effects pedals, manufacturers produced rack-mounted gear that was either aimed at guitarists or widely used by them. Companies such as Yamaha and Eventide made products that were often found in the racks of famous guitarists, particularly in the 1980's. However, with increased quality in effects pedal technology, most guitar players moved away from rack-mounted gear back to floor-mounted effects pedals, embracing their simple usability.
When they have their effects selected, most guitar players will mount their pedals on a pedalboard to facilitate transportation and storage of their effects. This system makes it much easier to activate the pedals as well, since they are contained in a relatively small space. Since wah and volume pedals operate a bit differently (they are rocked back and forth rather than simply switched on), they are mounted to make this usage easier.
For ease of use, most (if not all) effects pedals can be turned on or off with a simple step of the toe, which can be useful in many musical situations. For example, if one wanted to switch from a heavily distorted tone to a clean tone quickly and easily, in order to have different tones for different sections of the song, it's easy to do so. Another quick motion and the distorted tone returns. Simple!
Guitar players go through a great deal of effort to tweak the settings on their guitar, their amps, and their configuration of effects pedals to get their "just right" or signature sound. Popular effects devices include distortion, overdrive, chorus, flanger, echo, delay, vibrato, tremolo, flanging, and pitch-shifting, just to name a few. These effects can have drastic changes on a guitarist's sound.
If you are guitarist who is wondering how you can shape your sound in new and exciting ways, then check out the above guitar effects. They might inspire you in ways you never considered possible.
Effects pedals are used to give the guitarist more tonal colors or, that is, an expansion of timbre on his instrument's palette. It's possible to use an amplifier's settings to create these different tonal colors, too, but the amplifier is limited to what effects it can give, plus its settings would have to be changed only between songs, whereas guitar players frequently want to change tonality and color in the midst of playing a single song, and often many times over.
Not unlike the electric guitar and amplifier itself, effects pedals contribute to guitarists having a broad range of tonal expression. Today, even classical and acoustic guitarists use these effects, though they tend to avoid the distortion, overdrive, and wah pedals used by electric guitarists.
After the initial popularity of guitar effects pedals, manufacturers produced rack-mounted gear that was either aimed at guitarists or widely used by them. Companies such as Yamaha and Eventide made products that were often found in the racks of famous guitarists, particularly in the 1980's. However, with increased quality in effects pedal technology, most guitar players moved away from rack-mounted gear back to floor-mounted effects pedals, embracing their simple usability.
When they have their effects selected, most guitar players will mount their pedals on a pedalboard to facilitate transportation and storage of their effects. This system makes it much easier to activate the pedals as well, since they are contained in a relatively small space. Since wah and volume pedals operate a bit differently (they are rocked back and forth rather than simply switched on), they are mounted to make this usage easier.
For ease of use, most (if not all) effects pedals can be turned on or off with a simple step of the toe, which can be useful in many musical situations. For example, if one wanted to switch from a heavily distorted tone to a clean tone quickly and easily, in order to have different tones for different sections of the song, it's easy to do so. Another quick motion and the distorted tone returns. Simple!
Guitar players go through a great deal of effort to tweak the settings on their guitar, their amps, and their configuration of effects pedals to get their "just right" or signature sound. Popular effects devices include distortion, overdrive, chorus, flanger, echo, delay, vibrato, tremolo, flanging, and pitch-shifting, just to name a few. These effects can have drastic changes on a guitarist's sound.
If you are guitarist who is wondering how you can shape your sound in new and exciting ways, then check out the above guitar effects. They might inspire you in ways you never considered possible.
About the Author:
Author R. S. Rasnick is the founder of JustEffectsPedals.com, where you can easily shop for all the effects devices mentioned here and purchase them today!
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